Our staff is always asked about our backgrounds and how they came to work at the Driehaus Museum. So we wanted to share some of our amazing team with everyone. And, as always, let us know if you have any other questions.
I’m the Collections & Exhibitions Manager at the Driehaus Museum. I help care for and manage the historic interiors of the house and our decorative arts collection; and, in addition, I manage the planning, organization, and installation of our permanent and temporary exhibitions, like Maker & Muse and our upcoming Dressing Downton installations.
I joined the team in May of 2014, so just a little over a year.
Originally, I’m from Greenville, South Carolina. I live in Chicago’s exciting Logan Square neighborhood now and moved to the city about six years ago, by way of Memphis, TN and Washington D.C.
I started working in galleries and museums at the age of 16 and never looked back. So, my art background is already a bit of a long one. I studied Art History at Rhodes College in Memphis (go Lynx cats!). When I finished, I received a year-long academic internship working in the Smithsonian American Art Museum’s curatorial and registrar’s departments, organizing exhibitions and researching for exhibition catalogues. I eventually returned to Memphis to act as project coordinator for a public art organization called the UrbanArt Commission, taking care of the city’s art collection while planning new art projects throughout Memphis with local, regional, and national artists.
But, being a total nerd and missing school, I moved to Chicago to attend The School of the Art Institute of Chicago (SAIC), where I received dual master’s degrees in Modern Art History, Theory, & Criticism and Arts Administration & Policy. While at SAIC, I worked as Chief Registrar for the Roger Brown Study Collection a house museum in Chicago’s Lincoln Park neighborhood, I was curator for the school’s Creativity in the Workplace program, curating approximately fourteen exhibitions a year throughout Chicagoland, and for a year I served as the program coordinator for SAIC’s Visiting Artists Program before deciding to go back into exhibitions and collections management, which is how I found myself at the Driehaus Museum. Previously, my focus was in modern and contemporary art, so this Gilded Age collection is a new and exciting venture for me!
While painstakingly installing 275 pieces of jewelry last January for our Maker & Museexhibition, it sometimes felt like we WERE trapped in the museum overnight—these shows don’t install themselves, you know!
I would absolutely post up in the Library’s (attributed to the Herter Bros.) chair under the gryphon lamp with a glass of scotch, a cigar, and a good book for the night. I also played piano for many years when I was younger, so I’d likely spend time on our Chickering & Sons piano in the Drawing Room. And, if friends are invited, then I wouldn’t pass up on a dance party opportunity in the Ballroom either. The house offers lots of great overnight possibilities, now that I think about it…
If you’ve never been to the Museum around the winter holidays, you really have to put it on your bucket list. We’re over-the-top, but tastefully decorated with holiday décor that—while wreaking havoc on the collections team for the amount of glitter that gets deposited everywhere—looks absolutely stunning and will immediately put you in the holiday spirit, even after a long afternoon of Michigan Avenue holiday shopping. Therefore, I’d have to go with Santa Saturdays being my favorite program at the museum. Because, who doesn’t want to have brunch with the jolliest man alive in such a lovely setting!?
I work with amazing colleagues here at the Driehaus Museum, so picking one favorite moment is difficult and with a job as multifaceted as this one, every day is an adventure! I’ll give two examples. The first is one of the most memorable, though perhaps not necessarily my favorite. Our second floor features an original water closet in between Addie’s and Mrs. Nickerson’s bedrooms, which now act as exhibition galleries for us. During my third week of working at the museum, it came to my attention that the non-functioning original facilities within that water closet had been put to use for their originally intended purposes. It was in the process of determining how to handle that situation that I realized that this new job would not be like any other I’d ever experienced…
One of the sweetest moments I’ve had yet came on the last day of installation of the Maker & Muse exhibition. Our team worked many late hours for two weeks to install this extensive exhibition. The last day of install in particular was filled with intricate installation needs and last minute touch ups, in preparation for Mr. Driehaus’s first viewing of the exhibition that evening. But, the team finished with about an hour to spare. That brief period, between putting the last necklace in its case and showing the exhibition to its first visitor, found our team sitting on the main hall steps, having the first moment in months to really absorb and observe what it was we’d all been working towards. That shared sense of calm, pride, and enthusiastic exhaustion was really very special.